Irish singer Sinead O'Connor has died at 56, sexual and physical abuse in the Irish Catholic school system
- Irish singer Sinead O'Connor has died at 56
- The Redemption of Sinead O’Connor
- Sinead O’Connor claims ‘possessed’ mother ‘delighted’ in sexually abusing her and forced singer to repeat ‘I am nothing’
- Sinead O’Connor Details Years of Physical and Sexual Abuse at the Hands of Her Mother: ‘She Ran a Torture Chamber’
Sexual abuse in several industrial schools was described as a “chronic problem.” Clergy whose behavior drew complaints from parents of day-school students were transferred to industrial schools where their abuses drew less attention. Some schools seem, on the evidence, to have been more labor camps than institutions of learning. At one notorious industrial school in Dublin, each child was required to string 60 rosaries each weekday and 90 on Saturdays. Students who did not reach their quotas were beaten…."
Sinéad O'Connor, the Irish singer known for her intense and beautiful voice, her political convictions and the personal tumult that overtook her later years, has died. She was 56 years old.
O'Connor's recording of "Nothing Compares 2 U" was one of the biggest hits of the early 1990s. Her death was announced by her family. The cause and date of her death were not made public. The statement said: "It is with great sadness that we announce the passing of our beloved Sinéad. Her family and friends are devastated and have requested privacy at this very difficult time." ....
"I grew up in a severely abusive situation, my mother being the perpetrator," O'Connor told NPR in 2014. "So much of child abuse is about being voiceless, and it's a wonderfully healing thing to just make sounds."
O'Connor started making sounds in a home for juvenile delinquents, after a childhood spent getting booted out of Catholic schools and busted, repeatedly, for shoplifting. But a nun gave her a guitar and she began to sing, on the streets of Dublin and then with a popular Irish band called In Tua Nua.
O'Connor came to the attention of U2's guitarist The Edge, and she got herself signed to the Ensign/Chrysalis label. Her second studio album, I Do Not Want What I Haven't Got, went double platinum in 1990, partly because of a hit love song written by Prince: "Nothing Compares 2 U."
I Do Not Want What I Haven't Got was a distillation of O'Connor's prayerful sense of music and her fury over social injustice. She rejected its four Grammy nominations as being too commercial — and, in her words, "for destroying the human race." She was banned from a New Jersey arena when she refused to sing "The Star-Spangled Banner," for its lyrics glorifying bombs bursting in air.
In 1992, at the height of her fame, Sinéad O'Connor appeared on Saturday Night Live. In her performance, she raised her voice against racism and child abuse. There was dead silence when she ended the song, a version of Bob Marley's "War," by ripping up a picture of then-Pope John Paul II.
What followed in the media was a collective howl of outrage. It drowned out a prescient protest against abuse in the Catholic church. Years later, in 2010, O'Connor told NPR she'd known exactly what to expect.
"It was grand, to be honest," she said. "I mean, I knew how people would react. I knew there would be trouble. I was quite prepared to accept that. To me, it was more important that I recognized what I will call the Holy Spirit."....
Also inexplicably ignored were O’Connor’s own words, in an interview published in Time a month after her SNL appearance:
It’s not the man, obviously—it’s the office and the symbol of the organization that he represents… In Ireland we see our people are manifesting the highest incidence in Europe of child abuse. This is a direct result of the fact that they’re not in contact with their history as Irish people and the fact that in the schools, the priests have been beating the shit out of the children for years and sexually abusing them. This is the example that’s been set for the people of Ireland. They have been controlled by the church, the very people who authorized what was done to them, who gave permission for what was done to them.
Her interviewer seemed confused by the connection O’Connor was making between the Catholic Church and child abuse, so O’Connor opened up about her own history of abuse:
Sexual and physical. Psychological. Spiritual. Emotional. Verbal. I went to school every day covered in bruises, boils, sties and face welts, you name it. Nobody ever said a bloody word or did a thing. Naturally I was very angered by the whole thing, and I had to find out why it happened… The thing that helped me most was the 12-step group, the Adult Children of Alcoholics/Dysfunctional Families. My mother was a Valium addict. What happened to me is a direct result of what happened to my mother and what happened to her in her house and in school.
The interviewer remained skeptical of O’Connor’s characterization of Irish schools as playgrounds and training grounds for child abusers, and the interview moved on to different topics.
By now, the history of sexual and physical abuse in the Irish Catholic school system is familiar. As late as 2007, the Church controlled 93% of the schools in Ireland, giving most children no hope of escaping the often-sadistic system. As in America, serial child molesters like Brendan Smyth were shuttled from parish to parish and school to school to keep a step ahead of police and complaining parents. The culture of permissiveness towards abuse affected all communities, but probably the worst off were poor, orphaned, and troublemaking children sent to residential reformatory and industrial schools. To read the 2009 Ryan Report covering crimes carried out against children in these settings is to court a special sort of nausea—the kind that comes from bearing witness to an organized effort to deny the dignity of individual life and make the bodies of the powerless available to service the needs of the powerful. In this case, the powerless were disadvantaged minor teenagers and children.
Sexual abuse in several industrial schools was described as a “chronic problem.” Clergy whose behavior drew complaints from parents of day-school students were transferred to industrial schools where their abuses drew less attention. Some schools seem, on the evidence, to have been more labor camps than institutions of learning. At one notorious industrial school in Dublin, each child was required to string 60 rosaries each weekday and 90 on Saturdays. Students who did not reach their quotas were beaten….
http://www.theatlantic.com/entertainment/archive/2012/10/the-redemption-of-sinead-oconnor/263020/
Sinead O’Connor claims ‘possessed’ mother ‘delighted’ in sexually abusing her and forced singer to repeat ‘I am nothing’ as she speaks to Dr Phil in first interview since recent breakdown
Sinead O’Connor speaks with Dr. Phil on Tuesday in her first interview since she was hospitalized following a mental breakdown in August
The singer details the alleged sexual and physical abuse she suffered as a child at the hands of her mother, who she claims was ‘possessed’
‘She ran a torture chamber, it was a torture chamber. She was a person who would smile and delight when she was hurting you,’ says O’Connor
‘She used to make me say over and over again “I am nothing. I am nothing” while she was beating me., claims O’Connor, who says she ran away at 13
O’Connor, 50, can be seen giving more detail about her difficult past on Tuesday’s episode…. By Chris Spargo 11 September 2017 http://www.dailymail.co.uk/news/article-4873530/Sinead-O-Connor-says-possessed-mother-sexually-abused-her.html
"By now, the history of sexual and physical abuse in the Irish Catholic school system is familiar. As late as 2007, the Church controlled 93% of the schools in Ireland, giving most children no hope of escaping the often-sadistic system. As in America, serial child molesters like Brendan Smyth were shuttled from parish to parish and school to school to keep a step ahead of police and complaining parents. The culture of permissiveness towards abuse affected all communities, but probably the worst off were poor, orphaned, and troublemaking children sent to residential reformatory and industrial schools. To read the 2009 Ryan Report covering crimes carried out against children in these settings is to court a special sort of nausea—the kind that comes from bearing witness to an organized effort to deny the dignity of individual life and make the bodies of the powerless available to service the needs of the powerful. In this case, the powerless were disadvantaged minor teenagers and children."
Sexual abuse in several industrial schools was described as a “chronic problem.” Clergy whose behavior drew complaints from parents of day-school students were transferred to industrial schools where their abuses drew less attention. Some schools seem, on the evidence, to have been more labor camps than institutions of learning. At one notorious industrial school in Dublin, each child was required to string 60 rosaries each weekday and 90 on Saturdays. Students who did not reach their quotas were beaten…."
Irish singer Sinead O'Connor has died at 56 Updated July 26, 2023 Heard on All Things Considered By Neda Ulaby, Anastasia Tsioulcas
Sinéad O'Connor, the Irish singer known for her intense and beautiful voice, her political convictions and the personal tumult that overtook her later years, has died. She was 56 years old.
O'Connor's recording of "Nothing Compares 2 U" was one of the biggest hits of the early 1990s. Her death was announced by her family. The cause and date of her death were not made public. The statement said: "It is with great sadness that we announce the passing of our beloved Sinéad. Her family and friends are devastated and have requested privacy at this very difficult time." ....
"I grew up in a severely abusive situation, my mother being the perpetrator," O'Connor told NPR in 2014. "So much of child abuse is about being voiceless, and it's a wonderfully healing thing to just make sounds."
O'Connor started making sounds in a home for juvenile delinquents, after a childhood spent getting booted out of Catholic schools and busted, repeatedly, for shoplifting. But a nun gave her a guitar and she began to sing, on the streets of Dublin and then with a popular Irish band called In Tua Nua.
O'Connor came to the attention of U2's guitarist The Edge, and she got herself signed to the Ensign/Chrysalis label. Her second studio album, I Do Not Want What I Haven't Got, went double platinum in 1990, partly because of a hit love song written by Prince: "Nothing Compares 2 U."
I Do Not Want What I Haven't Got was a distillation of O'Connor's prayerful sense of music and her fury over social injustice. She rejected its four Grammy nominations as being too commercial — and, in her words, "for destroying the human race." She was banned from a New Jersey arena when she refused to sing "The Star-Spangled Banner," for its lyrics glorifying bombs bursting in air.
In 1992, at the height of her fame, Sinéad O'Connor appeared on Saturday Night Live. In her performance, she raised her voice against racism and child abuse. There was dead silence when she ended the song, a version of Bob Marley's "War," by ripping up a picture of then-Pope John Paul II.
What followed in the media was a collective howl of outrage. It drowned out a prescient protest against abuse in the Catholic church. Years later, in 2010, O'Connor told NPR she'd known exactly what to expect.
"It was grand, to be honest," she said. "I mean, I knew how people would react. I knew there would be trouble. I was quite prepared to accept that. To me, it was more important that I recognized what I will call the Holy Spirit."....
The Redemption of Sinead O’Connor By Michael Agresta Oct 3 2012
Twenty years ago today, Sinead O’Connor tore up a picture of the pope on Saturday Night Live—and the media largely misunderstood why. Is America finally ready to hear her out?
In the weeks and months after Sinead O’Connor tore up a picture of Pope John Paul II on live television, commentators in the media sought to explain the motives of her protest. Very few, however, made use of the traditional tools of journalism: interviews, research, and textual analysis. Instead, most commentators seem to have consulted their own imaginations….
Twenty years ago today, Sinead O’Connor tore up a picture of the pope on Saturday Night Live—and the media largely misunderstood why. Is America finally ready to hear her out?
In the weeks and months after Sinead O’Connor tore up a picture of Pope John Paul II on live television, commentators in the media sought to explain the motives of her protest. Very few, however, made use of the traditional tools of journalism: interviews, research, and textual analysis. Instead, most commentators seem to have consulted their own imaginations….
Also inexplicably ignored were O’Connor’s own words, in an interview published in Time a month after her SNL appearance:
It’s not the man, obviously—it’s the office and the symbol of the organization that he represents… In Ireland we see our people are manifesting the highest incidence in Europe of child abuse. This is a direct result of the fact that they’re not in contact with their history as Irish people and the fact that in the schools, the priests have been beating the shit out of the children for years and sexually abusing them. This is the example that’s been set for the people of Ireland. They have been controlled by the church, the very people who authorized what was done to them, who gave permission for what was done to them.
Her interviewer seemed confused by the connection O’Connor was making between the Catholic Church and child abuse, so O’Connor opened up about her own history of abuse:
Sexual and physical. Psychological. Spiritual. Emotional. Verbal. I went to school every day covered in bruises, boils, sties and face welts, you name it. Nobody ever said a bloody word or did a thing. Naturally I was very angered by the whole thing, and I had to find out why it happened… The thing that helped me most was the 12-step group, the Adult Children of Alcoholics/Dysfunctional Families. My mother was a Valium addict. What happened to me is a direct result of what happened to my mother and what happened to her in her house and in school.
The interviewer remained skeptical of O’Connor’s characterization of Irish schools as playgrounds and training grounds for child abusers, and the interview moved on to different topics.
By now, the history of sexual and physical abuse in the Irish Catholic school system is familiar. As late as 2007, the Church controlled 93% of the schools in Ireland, giving most children no hope of escaping the often-sadistic system. As in America, serial child molesters like Brendan Smyth were shuttled from parish to parish and school to school to keep a step ahead of police and complaining parents. The culture of permissiveness towards abuse affected all communities, but probably the worst off were poor, orphaned, and troublemaking children sent to residential reformatory and industrial schools. To read the 2009 Ryan Report covering crimes carried out against children in these settings is to court a special sort of nausea—the kind that comes from bearing witness to an organized effort to deny the dignity of individual life and make the bodies of the powerless available to service the needs of the powerful. In this case, the powerless were disadvantaged minor teenagers and children.
Sexual abuse in several industrial schools was described as a “chronic problem.” Clergy whose behavior drew complaints from parents of day-school students were transferred to industrial schools where their abuses drew less attention. Some schools seem, on the evidence, to have been more labor camps than institutions of learning. At one notorious industrial school in Dublin, each child was required to string 60 rosaries each weekday and 90 on Saturdays. Students who did not reach their quotas were beaten….
http://www.theatlantic.com/entertainment/archive/2012/10/the-redemption-of-sinead-oconnor/263020/
Sinead O’Connor claims ‘possessed’ mother ‘delighted’ in sexually abusing her and forced singer to repeat ‘I am nothing’ as she speaks to Dr Phil in first interview since recent breakdown
Sinead O’Connor speaks with Dr. Phil on Tuesday in her first interview since she was hospitalized following a mental breakdown in August
The singer details the alleged sexual and physical abuse she suffered as a child at the hands of her mother, who she claims was ‘possessed’
‘She ran a torture chamber, it was a torture chamber. She was a person who would smile and delight when she was hurting you,’ says O’Connor
‘She used to make me say over and over again “I am nothing. I am nothing” while she was beating me., claims O’Connor, who says she ran away at 13
O’Connor, 50, can be seen giving more detail about her difficult past on Tuesday’s episode…. By Chris Spargo 11 September 2017 http://www.dailymail.co.uk/news/article-4873530/Sinead-O-Connor-says-possessed-mother-sexually-abused-her.html
Sinead O’Connor Details Years of Physical and Sexual Abuse at the Hands of Her Mother: ‘She Ran a Torture Chamber’
"By now, the history of sexual and physical abuse in the Irish Catholic school system is familiar. As late as 2007, the Church controlled 93% of the schools in Ireland, giving most children no hope of escaping the often-sadistic system. As in America, serial child molesters like Brendan Smyth were shuttled from parish to parish and school to school to keep a step ahead of police and complaining parents. The culture of permissiveness towards abuse affected all communities, but probably the worst off were poor, orphaned, and troublemaking children sent to residential reformatory and industrial schools. To read the 2009 Ryan Report covering crimes carried out against children in these settings is to court a special sort of nausea—the kind that comes from bearing witness to an organized effort to deny the dignity of individual life and make the bodies of the powerless available to service the needs of the powerful. In this case, the powerless were disadvantaged minor teenagers and children.
Sexual abuse in several industrial schools was described as a “chronic problem.” Clergy whose behavior drew complaints from parents of day-school students were transferred to industrial schools where their abuses drew less attention. Some schools seem, on the evidence, to have been more labor camps than institutions of learning. At one notorious industrial school in Dublin, each child was required to string 60 rosaries each weekday and 90 on Saturdays. Students who did not reach their quotas were beaten…."
Sexual abuse in several industrial schools was described as a “chronic problem.” Clergy whose behavior drew complaints from parents of day-school students were transferred to industrial schools where their abuses drew less attention. Some schools seem, on the evidence, to have been more labor camps than institutions of learning. At one notorious industrial school in Dublin, each child was required to string 60 rosaries each weekday and 90 on Saturdays. Students who did not reach their quotas were beaten…."
Irish singer Sinead O'Connor has died at 56 Updated July 26, 2023 Heard on All Things Considered By Neda Ulaby, Anastasia Tsioulcas
Sinéad O'Connor, the Irish singer known for her intense and beautiful voice, her political convictions and the personal tumult that overtook her later years, has died. She was 56 years old.
O'Connor's recording of "Nothing Compares 2 U" was one of the biggest hits of the early 1990s. Her death was announced by her family. The cause and date of her death were not made public. The statement said: "It is with great sadness that we announce the passing of our beloved Sinéad. Her family and friends are devastated and have requested privacy at this very difficult time." ....
"I grew up in a severely abusive situation, my mother being the perpetrator," O'Connor told NPR in 2014. "So much of child abuse is about being voiceless, and it's a wonderfully healing thing to just make sounds."
O'Connor started making sounds in a home for juvenile delinquents, after a childhood spent getting booted out of Catholic schools and busted, repeatedly, for shoplifting. But a nun gave her a guitar and she began to sing, on the streets of Dublin and then with a popular Irish band called In Tua Nua.
O'Connor came to the attention of U2's guitarist The Edge, and she got herself signed to the Ensign/Chrysalis label. Her second studio album, I Do Not Want What I Haven't Got, went double platinum in 1990, partly because of a hit love song written by Prince: "Nothing Compares 2 U."
I Do Not Want What I Haven't Got was a distillation of O'Connor's prayerful sense of music and her fury over social injustice. She rejected its four Grammy nominations as being too commercial — and, in her words, "for destroying the human race." She was banned from a New Jersey arena when she refused to sing "The Star-Spangled Banner," for its lyrics glorifying bombs bursting in air.
In 1992, at the height of her fame, Sinéad O'Connor appeared on Saturday Night Live. In her performance, she raised her voice against racism and child abuse. There was dead silence when she ended the song, a version of Bob Marley's "War," by ripping up a picture of then-Pope John Paul II.
What followed in the media was a collective howl of outrage. It drowned out a prescient protest against abuse in the Catholic church. Years later, in 2010, O'Connor told NPR she'd known exactly what to expect.
"It was grand, to be honest," she said. "I mean, I knew how people would react. I knew there would be trouble. I was quite prepared to accept that. To me, it was more important that I recognized what I will call the Holy Spirit."....
The Redemption of Sinead O’Connor By Michael Agresta Oct 3 2012
Twenty years ago today, Sinead O’Connor tore up a picture of the pope on Saturday Night Live—and the media largely misunderstood why. Is America finally ready to hear her out?
In the weeks and months after Sinead O’Connor tore up a picture of Pope John Paul II on live television, commentators in the media sought to explain the motives of her protest. Very few, however, made use of the traditional tools of journalism: interviews, research, and textual analysis. Instead, most commentators seem to have consulted their own imaginations….
Twenty years ago today, Sinead O’Connor tore up a picture of the pope on Saturday Night Live—and the media largely misunderstood why. Is America finally ready to hear her out?
In the weeks and months after Sinead O’Connor tore up a picture of Pope John Paul II on live television, commentators in the media sought to explain the motives of her protest. Very few, however, made use of the traditional tools of journalism: interviews, research, and textual analysis. Instead, most commentators seem to have consulted their own imaginations….
Also inexplicably ignored were O’Connor’s own words, in an interview published in Time a month after her SNL appearance:
It’s not the man, obviously—it’s the office and the symbol of the organization that he represents… In Ireland we see our people are manifesting the highest incidence in Europe of child abuse. This is a direct result of the fact that they’re not in contact with their history as Irish people and the fact that in the schools, the priests have been beating the shit out of the children for years and sexually abusing them. This is the example that’s been set for the people of Ireland. They have been controlled by the church, the very people who authorized what was done to them, who gave permission for what was done to them.
Her interviewer seemed confused by the connection O’Connor was making between the Catholic Church and child abuse, so O’Connor opened up about her own history of abuse:
Sexual and physical. Psychological. Spiritual. Emotional. Verbal. I went to school every day covered in bruises, boils, sties and face welts, you name it. Nobody ever said a bloody word or did a thing. Naturally I was very angered by the whole thing, and I had to find out why it happened… The thing that helped me most was the 12-step group, the Adult Children of Alcoholics/Dysfunctional Families. My mother was a Valium addict. What happened to me is a direct result of what happened to my mother and what happened to her in her house and in school.
The interviewer remained skeptical of O’Connor’s characterization of Irish schools as playgrounds and training grounds for child abusers, and the interview moved on to different topics.
By now, the history of sexual and physical abuse in the Irish Catholic school system is familiar. As late as 2007, the Church controlled 93% of the schools in Ireland, giving most children no hope of escaping the often-sadistic system. As in America, serial child molesters like Brendan Smyth were shuttled from parish to parish and school to school to keep a step ahead of police and complaining parents. The culture of permissiveness towards abuse affected all communities, but probably the worst off were poor, orphaned, and troublemaking children sent to residential reformatory and industrial schools. To read the 2009 Ryan Report covering crimes carried out against children in these settings is to court a special sort of nausea—the kind that comes from bearing witness to an organized effort to deny the dignity of individual life and make the bodies of the powerless available to service the needs of the powerful. In this case, the powerless were disadvantaged minor teenagers and children.
Sexual abuse in several industrial schools was described as a “chronic problem.” Clergy whose behavior drew complaints from parents of day-school students were transferred to industrial schools where their abuses drew less attention. Some schools seem, on the evidence, to have been more labor camps than institutions of learning. At one notorious industrial school in Dublin, each child was required to string 60 rosaries each weekday and 90 on Saturdays. Students who did not reach their quotas were beaten….
http://www.theatlantic.com/entertainment/archive/2012/10/the-redemption-of-sinead-oconnor/263020/
Sinead O’Connor claims ‘possessed’ mother ‘delighted’ in sexually abusing her and forced singer to repeat ‘I am nothing’ as she speaks to Dr Phil in first interview since recent breakdown
Sinead O’Connor speaks with Dr. Phil on Tuesday in her first interview since she was hospitalized following a mental breakdown in August
The singer details the alleged sexual and physical abuse she suffered as a child at the hands of her mother, who she claims was ‘possessed’
‘She ran a torture chamber, it was a torture chamber. She was a person who would smile and delight when she was hurting you,’ says O’Connor
‘She used to make me say over and over again “I am nothing. I am nothing” while she was beating me., claims O’Connor, who says she ran away at 13
O’Connor, 50, can be seen giving more detail about her difficult past on Tuesday’s episode…. By Chris Spargo 11 September 2017 http://www.dailymail.co.uk/news/article-4873530/Sinead-O-Connor-says-possessed-mother-sexually-abused-her.html
Sinead O’Connor Details Years of Physical and Sexual Abuse at the Hands of Her Mother: ‘She Ran a Torture Chamber’
By Maria Pasquini September 11, 2017
By Maria Pasquini September 11, 2017
Sinead O’Connor is opening up about the horrifying sexual abuse she suffered at the hands of her mother in an emotional interview on Dr. Phil.
The “Nothing Compares 2 U” singer, speaking with Dr. Phil McGraw, detailed how her mother Marie O’Connor “ran a torture chamber” and tormented her until she ran away from home at 13….
“She ran a torture chamber. It was a torture chamber. She was a person who took delight and smile in hurting you.”….
https://people.com/music/sinead-oconnor-emotional-sexual-abuse-mother
